Autumn everyday life

@evildeathcore · 2025-09-30 08:12 · Photography

It has always been interesting for me to analyze my creative path. I like to take pictures without thinking about anything, just to create, to create a picture-a response to reality. But it's all in the moment. And when a year or two or more passes, there is a desire to summarize, analyze the path traveled.

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That's how I get all kinds of terms like spotty street, contrast, or reportage.

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Once upon a time, I photographed staged portraits on the street, blurred the background, caught the light, and looked for an interesting background.

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Then I moved very far away from the stage and began to shoot life as it is. SObd38Qaw6QHTD1xngvi2z3GnSnghvH6Tf6be-j6BkAq4CnT798xbPCCqYfeZ_SCL7WEF3Hd622Kp12Oi2PvDR9g.jpg?quality=95&as=32x21,48x32,72x48,108x72,160x107,240x160,360x240,480x320,540x360,640x427,720x480,1080x720,1280x853,1440x960,2560x1707&from=bu&cs=2560x0

But that experience has been preserved, and now I have noticed that I often began to photograph not only all kinds of scenes with chiaroscuro on the streets, but pay more attention to people, in particular their portraits.

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It turns out that I photograph portraits, but not staged anymore.

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This is happening in the wake of the reportage street.

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If I switch to a contrasting street, where a person is only an addition to the chiaroscuro composition, then there will be no portraits. oH3THeRYq_y1vxjsi2GBES6qlOACcwgeTN9mR5vGnGGPlyWLrUsFtSFYipEC8NpBrizlEd7XxmYrZHCvN9dQTM4Z.jpg?quality=95&as=32x21,48x32,72x48,108x72,160x107,240x160,360x240,480x320,540x360,640x426,720x480,1080x720,1280x853,1440x960,2560x1706&from=bu&cs=2560x0

It seems to me that if a photographer can see, he will make a beautiful picture in any genre from all existing ones. image.png

And being able to see is not only a gift or talent, it's also a technical aspect that needs to be developed. 3PwRc9O-JAsSXFNiYRrfhFzWuRPlx28rufR8_vyYq8MCOs5LrjLWrV0U6ht2phrGH_u8ABKYoUmhRSHrP_bpbRHI.jpg?quality=95&as=32x21,48x32,72x48,108x72,160x107,240x160,360x240,480x320,540x360,640x427,720x480,1080x720,1280x853,1440x960,2560x1707&from=bu&cs=2560x0

But these are all frameworks that very often spoil a person's unique vision.

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The mastodons of photography teach not just any rules, but freedom of perception. NFro6hwthmb2U8HxD91-kPIYZLcPPVW2F2vYP_d91WXaBWC2pYTn4txsEa8tUxwVdYony6tbciQOyPLSS_2D4Sfh.jpg?quality=95&as=32x21,48x32,72x48,108x72,160x107,240x160,360x240,480x320,540x360,640x427,720x480,1080x720,1280x853,1440x960,2560x1707&from=bu&cs=2560x0

That's what happened to me once: the framework I was in was destroyed.

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But I still have my personal perception, and it's valuable.

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Perception of the world around us is the language of communication not only with the viewer, but also with oneself.

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And if I see and photograph portraits of people in a certain period of time, it means that in my work I need to learn something, or these are some kind of personal experiences. P0AyFKmzkvFfeZ_kBEGXpmyh4Wnl87Dr-WpNn1mv9FGjkbvx2ASNnnFTuOnEobJqT5OdqxVS_7BTKAp1q0y96V4X.jpg?quality=95&as=32x21,48x32,72x48,108x72,160x107,240x160,360x240,480x320,540x360,640x427,720x480,1080x720,1280x853,1440x960,2560x1707&from=bu&cs=2560x0

That's why I like to analyze everything! I'm trying to figure out what was bothering me at what time, so that I could get at least a general picture of my inner world.

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This is what self-discovery through photography is all about!

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