Long-exposure street scenes give a sense of the density of the space. Time depersonalizes the characters and demonstrates the conservation of energy, as if the past, present and future exist simultaneously.
You dive through the picture and feel like you're in thick jelly.
It turned out to be an interesting metaphysical experience from seemingly defective photographs.
The tracking effect is applied in the photos, but I deliberately tried to do it unsuccessfully.
Shooting with a tracking is a technique in photography when, in order to convey movement in an image, the camera moves as if following the object.
In this case, the subject will be in focus, and the background will be blurred.
The effect of blurring will depend on the exposure time, that is, the duration of the wiring.
For a long-focus lens, a shutter speed of tenths or even hundredths of a second is sufficient.
And now back to my pictures. I got the effect of excessive or unsuccessful tracking.
I intentionally ran ahead of the object, or drove the object against its movement and not parallel to the movement.
In simple words, I spun it as I wanted...the camera, of course.
It was important for me to blur not only the background, but also people, in particular their faces.
The result is time-depersonalized phantoms that leave a mark in the past.
This is all due to the fact that I am haunted by the philosophical information that we exist in the past, present and future at the same time.
And if we do something bad in the present, it will affect us both in the future and in the past.
I tried to understand it and make sense of it through a long exposure in photography.
In general, I have my own attitude towards long exposures in photography, because it is not only a fixation of a moment, but sometimes of a whole period of time.
