I saw this one a couple of nights ago but with so much content in queue and irl stuff didnt have time to write my review for The Orphanage (2007), lights low, phone off, this is not a typical horror ride, it is a slow burn mystery with a heart full of ghosts, not the jump scare machine some people expect and that is honestly why it works. Laura comes back to the big seaside orphan home where she grew up, she wants to open it again for kids who need extra care, her husband backs her, her little boy is sweet, strange, curious and from there the movie just keeps diging the past until the past return back harder and not in the best way. What got me this time was how the move takes its time, it never rubs your face in the dread, it just lets things feel off, a door that moves, a game that sounds childish but goes deep, a mask what looks silly at first and then looks like a nightmare once the camera holds, the story keeps handing you small clues, a hidden space where no one looked, a nurse with an old grudge, whispers that sound like play time but are not and the whole time I kept thinking this is grief walking around in daylight pretending to be something else, the movie knows it and plays it out perfeclty, it is more mother and memory than monster and gore and that is why it all works. Also keep in mind that this is a movie of Spanish director Juan Antonio Bayona under the production of Guillermo del Toro, two masters in suspense and terror.
- IMDB: https://www.imdb.com/title/tt0464141/
- Platform: AppleTV+
Rottentomatoes Rating
I do not think this thing is very scary in the classic sense, there are two or three moments that make you jump, a blast of sound here, a reveal there but the movie is not about punishing your nerves every five minutes, it is really about Laura trying to hold her life together while the house keeps telling her she is missing something, that angle pulls sympathy out of you, you get on her side fast, she is stubborn and loving and a bit reckless when the fear takes over, there is a sense that if the house had no ghosts, her mind would build them anyway because the past is still sitting at the dinner table asking to be served. I like that tug of war, it makes the supernatural stuff feel heavier and even though the movie makes it pretty clear early that the rules are not just in her head. I kept feeling like it would still work if it was, the mystery would still track, the pain would still hurt and for me that is the good line this kind of story should walk. Technically the whole thing is tight, clean direction, smooth camera angles, the house looks lived in and cold at the same time, the rhythm is patient, sometimes almost too patient for anyone who want constant fireworks but the waiting and patience really paysoff.
Belen Rueda carries the whole story on her back without having to show off or go over the top, the fear is not just big eyes and shaking hands, it is quiet bad decisions that feel like love at the time, the husband has that calm logic that sometimes feels helpful and sometimes feels like a wall she keeps bouncing off, the kids sell the kid stuff, which matters here since games and imagination drive a lot, the side roles do not overcook the soup, even the figure who appears with answers late does not break the tone. I never felt like the movie was throwing a new genre at me mid way it all stays in the same sad lane, which I like as it stays focus and never goes off rails, there is a reveal path that is simple enough to follow but still rewarding and I appreciate that it does not try to be smarter than it needs. I think the movie sometimes telegraphs a beat a half step early, like you can see a door moment coming and your brain prepares, also there are a couple staging choices that feel a bit neat for the chaos we are told is brewing in the house and one talky explanation could have been cut out but I am honestly reaching there, most of the time the movie just does what it should do, it builds mood, it watches a mom fall apart and rebuild herself with the same pieces but in a different order and it lets the final stretch hit you in the chest not just the eyes.
The one that keeps banging across the movie is how it treats loss, not as a twist to slam at the end but as a presence sitting in every room , an old friend is now a stranger, a game is now a map, that is the proper rhythm, the house is a memory palace with locked drawers and Laura keeps finding keys by being brave and being wrong at the same time, that is pretty real and it is why the finale lands hard, it is not really a gotcha. I like that the supernatural here is not just punishment, it is also connection, guilt and mercy all tangled, it sits near stuff like The Devil’s Backbone in my head, old places holding on to old pain, kids knowing the truth first because adults forgot how to listen, makes me think about how houses keep secrets like people do and how games kids play can be maps to the worst room in the house if no one pays attention. I like how the movie uses space, there is also this mask, looks simple, almost homemade and the way they frame it becomes a small thesis about how ordinary things can turn violent its just amazing how simple things can turn scary and creepy under the right circumstances, the movie uses that idea again and again, a door is a door until it is not, I like movies that go for that kind of swing and find gold on the simple things.
I end up enjoying very much this movie as a fan of horror, specially psychological horror where everything happens in the character reminds me a little to The Possession of Michael King (2014), although The Orphanage carries something more just form the name, at the beginning give us a certain emotion watching Laura starting a new life and giving the same opportunity she received to all those kids that are living with her in the orphanage because she wanted to give a better life to them but when things start to change and the place start giving that sense of fear, that Laura decisions was wrong, that she has placed her family in special her son in a terrible place and that the kids are the one who are receiving and sending messaging for the adults to understand what is happening, in that moment you know that it is a good story. Is not mind blowing, is not your classic horror movie, it is a movie with a story full of history about a place that is more of what we can see and the end of it is a twisted scenario that probably you will hate or think brilliant, even thought is not the end you were expecting. It is a movie that I can see once a year with no doubt and would totally recommended.
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