This series is focused on how paint can change the way we look at the body. By treating the skin as a neutral surface, I wanted to shift attention away from personality or identity and concentrate on shape, light, and color. The body becomes part of the composition, not its subject in the usual sense.
The goal was to experiment with form — to see how movement, brushwork, and camera angle affect perception. The paint doesn’t hide the body, but reframes it. It creates distance from the literal and lets the viewer focus on visual elements: texture, contrast, and flow.
