If you’ve never been in a Lagos danfo during rush hour, let me explain: it’s not just transportation, it’s a live theatre where you get to see a lot of commotion and does not have a director, and every passenger is both actor and audience.
That Monday morning, the yellow bus was already half full when I squeezed into the front row, right beside the driver. The sun wasn’t even properly up, but the air was already thick with exhaust smoke, impatience, and that unique Lagos tension that makes everyone’s eyes sharp.
“Yaba! Yaba! One chance remains for the front!” the conductor shouted, banging on the roof.
That “one chance” was the space my knee was occupying halfway into the passenger seat.
The last passenger to enter was a middle-aged woman wearing a wine-coloured gele tied like she was going to a wedding. She clutched a big Ghana Must Go bag that looked heavy enough to hold a whole goat inside.
The conductor tried to help her lift it, but she snapped, “Abeg, leave am! This bag no dey touch ground!”
We all exchanged glances but said nothing. Because in Lagos, you mind your own business unless your life depends on it. That is if you are ready to lose your life.
The bus started moving forward with the usual jerks and mocking, the driver was moving the wheels like he was trying to dodge invisible potholes. We had barely passed the third bus stop when the trouble started.
The conductor tapped the woman’s shoulder. “Madam, abeg, your transport.”
She frowned. “I no dey pay until we reach Yaba.”
“Ah! How do you go talk like that?” The conductor’s voice went up like he was holding a speaker.
“I talk am before I enter my change dey inside the bag, and I no go open am here. Too many eyes.”
The driver glanced at her in the rearview mirror. “Madam, we are not thieves. Abeg, pay your money make we dey go.”
But the woman just tightened her grip on the bag and said nothing.
That was when the conductor sighed and dropped the line that turned the whole bus into a hostage drama:
“Nobody dey come down from this bus until Madam pay her money!”
At first, we laughed. One young guy in the back shouted, “Oga conductor, no vex, but na we you wan use do collateral?”
The conductor ignored him. The driver, instead of stopping to argue, sped past the next bus stop without dropping off passengers.
“Hey! Driver! Stop me there!” a man in a suit protested.
“No stop,” the conductor said, folding his arms. “We all dey together for this matter. If she doesn't pay, nobody dey going anywhere.”
You could feel the shift in the air. Suddenly, every passenger was part of the negotiation.
One aunty in the middle row leaned forward. “Madam, just give them their money now. We get where we dey go.”
The woman hissed. “I say I'll go pay for Yaba. Na small change. Why una dey behave like say I carry millions?”
An old man beside her muttered, “Na so e dey start. Today na small change, tomorrow na big one.”
A young student near the window pulled out her phone and started recording. “This one goes trend,” she whispered.
Meanwhile, the driver kept moving like a man on a mission. No stop, no mercy. People who wanted to alight at earlier bus stops were now glaring at the woman as if she had personally kidnapped them.
By the time we passed Sabo, the tension had reached pepper-soup level heat. Someone suggested we all contribute to pay her fare so we could be free.
“No o!” the conductor shouted. “Nobody go bail am out. She must pay by herself. Na principle!”
The woman, unfazed, adjusted her gele and looked out the window like she was on vacation.
“Madam, you no dey fear?” the student with the phone asked.
She smiled. “My pikin dey wait for me for Yaba market. This driver is going to drop me there. All of you, follow and enjoy the ride.”
And then, just before Yaba, the twist came.
The driver slowed down near a police checkpoint. He leaned toward the woman. “Madam, last chance. Pay, or I'll drop you off at the police station.”
She finally reached into the bag, pulling out a neatly folded nylon. Inside were smaller nylons, and inside those were layers of wrapper. The entire bus was silent, watching her unwrap the bag like a sacred ceremony.
At the very center was a small purse. She opened it and produced… ₦200 note.
The conductor collected it with a look that said this battle was both victory and defeat.
When we finally stopped at Yaba, people rushed out like prisoners hearing the gates creak open. As I stepped down, the woman turned to me and said, “You see this Lagos? If you no hold your own tight, them go collect am from you.”
She hoisted her bag onto her head and disappeared into the market crowd.
And just like that, our “hostage” crisis ended not with rescue, but with release.
But for the rest of that day, as I rode other buses, I noticed myself gripping my bag a little tighter. Because in Lagos, the real hostage is your time… and the danfo can take it anytime it pleases.
Thanks for reading....
Posted Using INLEO