The Relatability of the Disney Movie, Encanto

Social media has been buzzing around the movie released on Disney+ titled “Encanto”. The movie features the Madrigal family, a family blessed with a “miracle” or “enchantment (*encanto*)” in the form of a magic house wherein each Madrigal child is blessed with supernatural abilities by the time they reach a certain age. The way family dynamics and multi-generational trauma is tackled within the movie and incorporated with a musical style of delivery is what is making the movie a hit. Netizens from various social media praised the lyrics as they hit closer to home, tugging on the heartstrings of anyone who paid close attention. Personally, the effect is no surprise and is as expected from the lyrical rhythmical wizard— Lin Manuel Miranda, himself. There are many things I want to say about this movie from the fact that my brothers and I have watched it nine times with different people since we got access, to the fact that I could relate to Luisa, Isabela, Bruno, and Mirabel to a fault and even ugly cried at some of the scenes, especially at the end where Mirabel sympathizes with the pain Abuela experienced and had to carry throughout her life, but maybe I'll start with a character analysis and commentary. --- ---  I'll start with the Casita. I don't know if it was obvious, but I'll point it out anyway. The house is a physical manifestation of the quality of the Madrigal’s “home” which may not be the house in the physical sense, but in the sense of the quality of the relationships of everyone in the family. The physical cracks of Casita represent the cracks within the family relationships, e.g. - the cracks appeared the first time when Mirabel felt left out when Antonio received his gift, - the cracks vanished when Mirabel and Isabela hugged as she started sympathizing with Isabela more and encouraged her to pursue her “imperfection” - and the house completely crumbled when Abuela accused Mirabel of hurting the family because of her “lack of powers”. Casita was brought back when the house they all tried rebuilding together (including Bruno, and with the help of their town) was finished and the family had “a new foundation”. --- --- One of the most striking scenes of *Encanto* was when Luisa, the older sister of Mirabel shared how under the surface of her hard exterior, she feels crushed by the weight of expectations to be strong through the song "Surface Pressure": >*Give it to your sister, it doesn't hurt and See if she can handle every family burden Watch as she buckles and bends, but never breaks No mistakes* - [Surface Pressure from Encanto](https://lyricstranslate.com/en/encanto-ost-surface-pressure-lyrics.html) Growing up Filipino means being passed on of Asian Hispanic collectivist culture, contrary to the individualistic culture of the West. These are particularly prominent in the Philippines, a developing country, where poverty and inequality are centuries-long battles that still hasn't been completely won until now. The *tagasalo* which are usually the *panganay* (usually, but not necessarily)-- partially, if not completely-- take on the role of being the secondary parent when the primary parents aren't around or available. This responsibility is often given to the ones seen as the more “intact” or "capable" among the siblings which in most cases, are the *panganay*.  Most often than not, especially in economically pressed families, these individuals are parentified, because *"who else are going to take care of the rest of the family while mama and papa work longer hours in the rice fields to make ends meet?"* >*I'm pretty sure I'm worthless, if I can't be of service* -- [Surface Pressure from Encanto](https://lyricstranslate.com/en/encanto-ost-surface-pressure-lyrics.html) In some families, being the *tagasalo* could mean being expected to help out the family by putting the family's (younger siblings', ageing parents') needs, whether it be instrumental or emotional, above their own. Some *panganays* are expected (and thereby, pressured) to graduate early to fund their younger sibling's studies, or fund their aging parents' retirement, or succumb to the unspoken pressure of lifting the family out of poverty which often leaves no room for their individual dreams, or maybe due to emotional strains within the impoverished family even, have to act as the mediating force. Because of the pressure of these expectations, along with the pressure of being seen as the most reliable of all the siblings which are often bound to their identity, they live little to no room for emotional vulnerability and rest from meeting the expectations that were laid on to them. Like all parentified children, the *tagasalo* in the family is at risk of developing trauma, distress, disordered eating, mood disorders, substance abuse, and personality disorders if not recognized earlier. **I hope all the pain Luisas of the world are shouldering are acknowledged by their respective families. I hope all the Luisas of the world take a chance to rest, not just physically, but also emotionally. People see the value in what you do, but I hope you don't forget, that you're part of the "people" too.** --- --- So here's a bit of context: In the first few parts of the movie, Isabela was introduced as Mirabel's older sister. Her power? Making flowers bloom wherever she goes, particularly roses. Mirabel dubbed her as the perfect golden child and even gave not-so-subtle hints that she was envious and not-so-fond of *"señorita perfecta"*, Isabela, who was then engaged to a certain Mariano Guzman. These two sisters keep brushing each other off the wrong way along the movie. After Isabela's engagement to Mariano fell apart, and Mirabel's plan on earning a hug from her sister ended badly, Mirabel accuses her of being a "selfish entitled princess" (Long story but basically they were having a stand-off and Mirabel was being dragged out of Isabelas's room with vines after failing to apologize sincerely). In cathartic heat, Isabela confessed that she never wanted to marry Mariano in the first place and was "doing it for the family", and because of that, she was surprised to have been able to grow cacti instead of the usual roses which everyone in town loved, revealed through the song "What else can I do?" >[Isabela:] *I grow rows and rows of roses Flor de mayo, by the mile I make perfect, practiced poses So much hides behind my smile What could I do if I just grew what I was feeling in the moment? (Do you know where you're going? Whoa!) What could I do if I just knew it didn't need to be perfect? It just needed to be? And they'd let me be?* -- [What Else Can I Do, *Encanto*](https://www.azlyrics.com/lyrics/encantocast/whatelsecanido.html) From the movie, Isabela is seen having to maintain a persona of perfection as her own way of doing her part in the family. Being the graceful poster girl that she is and growing rows and rows of roses wherever she goes, everyone loves her and adores her. It's almost as if she lived her whole life trying so hard to squeeze into a certain "perfect" mold 🌹 for everyone around her, and never realizing her capacity of what she can do beyond the mold 🌵 and loving herself by staying true in the process. Isabela often being seen as the emotionally inaccessible sister to Mirabel but like Luisa, she really is just pressured to keep up a façade, much like how rigid overachievers or the “golden child” in the family want to maintain their being a rigid overachiever even if it means at the expense of their own health, because praise, especially from the family, is addicting and is actually just rooted on the underlying fear of becoming a disappointment in the family. Often, the Isabelas of the world feel suffocated by this façade that they try to maintain, and sometimes they do this as a way to compensate for the real dysfunction that happen within the family behind the scenes. **I hope the Isabelas of the world realize that they don't have to please everyone around them if it means lying to themselves about who they are. Things don't have to be symmetrical to be beautiful.** --- --- From the poster itself and the song "We Don't Talk About Bruno", it's pretty obvious that Bruno, is a character with a tarnished reputation and is known by his siblings as the one who "lost his way" in the family. He is also an ostracized figure within the town as someone who "causes bad things to happen". But probably none of it could have hurt more than being neglected and ostracized and villainized by his own mother. When he was begged by his mother to look into Mirabel's future the night she didn't receive her gift and to spare her of the ill reputation he already possessed at that time, he decided to disappear. But he didn’t actually leave. Instead, he stayed within the walls of the house for 10 years and loved his family from afar-- the way he knows how, by cementing the cracks of the breaking Casita, even though he was a superstitious person who knocks on wood, sprinkles salt over his shoulder and was afraid to step on cracks. Even when he did “leave”, all he wanted to do was to be accepted and loved and be with his family in the same dining table. **His gift of *precognition* was not valued, even by his own mother, as he often felt he was a dirty speck of dirt in the golden family image Abuela was trying to maintain. More tragically, it even came to a point where he internalized it and believed it himself. Sometimes I wonder how many children now-adults have felt the same way growing up?** --- --- The story of course, is centered around Mirabel, the quirky, crafty, and empathetic youngest sister of Isabela and Luisa. The thing about Mirabel is, she's the only Madrigal child who mysteriously wasn't given any powers, and because of this she grew up feeling lackluster and isolated in comparison to the more “special” siblings and cousins. She is often seen with crafts, skills and various needlework as a way of compensating for her lack of powers? In a not-so-subtle manner in the movie, she often feels like the out-of-place “weak link” or the “least capable one" by the rest of the family members and more bluntly, by her own Abuela due to her having no “gifts” as revealed by the song "Waiting On A Miracle": >*Don't be upset or mad at all Don't feel regret or sad at all Hey, I'm still a part of the family Madrigal And I'm fine, I am totally fine I will stand on the side as you shine I'm not fine, I'm not fine* -- [Waiting on a Miracle, Encanto](https://www.azlyrics.com/lyrics/encantocast/waitingonamiracle.html) It was even visually exhibited when the Casita crumbled during Abuela and Mirabel's fight that she would go through great lengths and great dangers for her family and in saving the miracle. Despite her lack of powers and the eventual destruction of the Casita, she ends up as the key person in "saving the miracle" by: ✅ acknowledging and comforting Luisa and her pressure to be the strongest in the family ✅ encouraging Isabela to discover her truth beyond the mold of perfection she was expected to fill ✅ talking about Bruno, talking to Bruno and taking the long lost Bruno back home ✅ confronting and pointing out Abuela of her actions after she blames her for hurting the family ✅ rebuilding the Casita and restoring their powers after reconciling with Abuela, understanding the source of her actions and forgiving her after she apologized In other words, she did that by bringing out the best of her family members, by being authentic and truthful even when things were uncomfortable. When Bruno told Mirabel in the movie *“The fate of the Encanto is not up to her, Mirabel, it’s up to you”*. I realized that despite her lack of powers, she was the person who got to dictate the quality of future relationships within the family. It was up to her. --- --- Abuela is the matriarch leader of the family Madrigal. Stern and protective, she does her best in leading the family, and using the gifts that were given to them to serve the community around them. She cannot be considered a "villain" in a linear and traditional sense. Disney did a great job of portraying her with more dimensions to her personality as a person driven by grief, and the trauma she experienced of losing her home and husband that she carried throughout her life in the Casita. This eventually led her to make very poor decisions around her family. She is seen as stern and protective of ~~her family~~ the perfect image of the family she upholded, and the family miracle-- the Casita and the gifts-- which was given to her through the death of her husband. However, the night Antonio received his gift, she was seen praying and talking to her picture of her late husband. From there, we take a peek at how she has always been aware of the fragility of the *casita* (despite her ignoring of Mirabel's warnings previously) and the her fear of losing it since she lost her previous home last time and didn’t want to lose their home again especially with her children and grandchildren. As her own way to feel deserving of the miracle, she is often seen putting too much pressure on her family members: for Luisa, to be a pillar of the community; and for Isabela, to be "perfect" in her Abuela's and everyone's eyes . This might be understandable considering that Abuela Alma is not only the leader of the family, but also the community as well, and feels the need to uphold an image of perfection of the family, most times, at the expense of the individual needs of her family members.  [Source](https://twitter.com/crackerjack3i/status/1487556328792989696?t=2GZQyRPPoQZcST8d9RAFXA&s=19) She was able to ostracize her son Bruno in the process, as well as Mirabel-- those who she sees are hurting the image of a family that she wants to paint, or not doing their part. She was obviously someone who didn't provide enough reassurance to her family members, especially the more vulnerable ones like Mirabel and Bruno who struggled with their self-worth and their place in the family, but instead, marked them "black sheep" and continued to expect the worst of them even though, both have always tried their best in their own ways of making the family proud. When Abuela witnessed the change in Isabela's character, she was enraged and accuses Mirabel of ruining the casita, and even going as far to blame other things in the family like:  [Source](https://twitter.com/yvonnie_232925/status/1487927579742916611?t=w8aZO2EElRBPQ4BO4etz8Q&s=19) I loved the part in the movie where Abuela apologized to Mirabel, and shared the grief that haunted her ever since. Additionally, she apologized and hugged her long lost son Bruno, all whilst the latter was trying to take in all the blame for himself. These things I bet, are difficult for the Abuela Almas of the world to do. The decision to recognize where their younger offspring comes from, not dismissing their feelings and apologizing to them, and showing their vulnerabilities to their grown-up children instead of continuously accusing them and blaming them for major problems. Maybe that's the reason why I found the ending too *ideal*? Because in real scenarios, some Abuela Almas have difficulty of realizing their mistakes, and don't apologize. Maybe due to their standing within the family? Their pride? Maybe due to old age? Especially for the more traumatized leaders of the family, any form of being point out of their mistakes even in the many ways of expressions out of love, will more or less be taken as insubordination, or in some cases, an insult. The thing with Abuela Alma reminds me of certain scenarios that hit close to home. In fact, it could be said that this could be a metaphor for sole bread winning parents in the Philippines (or anywhere where poverty is rampant, rather) who worked hard to elevate their family, parent's and children’s quality of life from poverty. They do this with the goal of preventing their offspring from experiencing the same hardships they internalized and experienced growing up, depending on the internalized trauma, they often are protective and defensive of whatever they gained even if it means dismissing their family member's individual emotional experiences, putting a wedge in their relationships with their family members. --- --- I love how Julieta was portrayed in the movie as a mom who can heal ailments with her cooking. It really takes the idea of a mother’s healing touch to a whole new level, and I absolutely love the